Ruben Suare’s Innovative Mission at Walsh Bishop
Innovation. We talk about it often at Walsh Bishop, but what does it really stand for? The basic definition of innovation is “something new or different introduced.” We know the designers and architects at Walsh Bishop can produce unlimited innovative and creative design ideas, but does reality always support these ideas?
The recent developments of new materials and fabrication techniques has altered the way in which architects think and design. Digital fabrication techniques are changing traditional production systems and enabling architects to integrate processes from initial design through fabrication and installation. In a world that, at its most basic process-driven level has not been altered in many years, these developments are quite radical.
Walsh Bishop’s new Vice President and Managing Design Principal, Ruben Suare, is at the forefront of these exciting changes.
Ruben has held leadership roles in the design, construction and fabrication of numerous award-winning architectural projects. By pairing an architect’s creativity and aesthetic sense with a manufacturing and business industry professional’s pragmatism, Ruben challenges the way manufacturers and architects communicate and do business, and dispels the perceived limitations of both industries.
Ruben’s mission is to allow innovation to flourish and empower Walsh Bishop’s designers. “I started out in architecture, moved to fabrication, which led to manufacturing, and now I’ve returned to architecture at Walsh Bishop” says Ruben. He has paired an architect’s knowledge with executive roles in companies such as CTEK. CTEK is a multi-disciplinary, multi-industry engineering and fabrication firm that is known for fabricating innovative products that have included unusually contoured glass panels for Frank Gehry and artworks for major artists as Robert Graham and Liz Larner. One truly unique project in which Ruben was involved at CTEK was constructing the high-performance futuristic sports car used by Tom Cruise’s character in the movie “Minority Report.”
In 2004, Ruben joined 3form as the Executive Vice President of their Architectural Division. 3form wanted to work like the 21st Century version of a master stonemason, combining manufacturing, fabrication and creative consultation to help architects rethink their design process and the buildings that result. The original idea of architecture was returned to true craftsmanship, but with digital tools. Under Ruben’s leadership, 3form’s Architectural Group was recognized as one of the most innovative in the market.
Ruben’s projects at 3form included inventing the translucent wood panels used to clad the interior of the Alice Tully Hall at New York’s Lincoln Center; developing a new panel characterized by being a mirror when non-lit and transparent when lit for the new Natural History Museum at the Smithsonian Institute; fabricating the main acoustic canopy at the new performance arts center at the Univeristy of California at Fullerton and designing and fabricating one of the first translucent metal twisting facades for a building in Los Angeles.
Ruben has presented these challenges in seminars and conventions at locations throughout the world, including: University of Utah School of Architecture; The Sydney Opera House; MMFX Symposium at the Museum of Modern Art in Indianapolis; the Architecture Association in London; the International Design Conference IDI, 3form and Innovation; Columbia University School of Architecture; Utah State University; McGraw Hill - Innovation Conference; and the Southern California Institute of Architecture - “Business Innovation in Architecture”
Ruben’s work expands the possibilities in architecture and manufacturing. We are thrilled that he has come full circle to join us at Walsh Bishop where he will help us forge a synergy between design, fabrication and construction that blows the doors to our designs wide-open!
